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TRIPTIK
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THE CULL

WRITER, DIRECTOR, 2nd CAMERA, DRONE, EDIT, GRADE, EFFECTS, VFX by TRIPTIK

Contemporary folk horror feature film, written and directed by JP at TRIPTIK,

Filmed in Cornwall with a Cornish cast and crew.

Second camera and all drone shots filmed by JP IN Hampshire. All post production Triptik films.


THE CABIN

Finding the right location seemed impossible until we came across Rhettorick Mill. Clever paintwork and set design transformed a once clean and homely cabin into the perfect amount of grime and atmosphere.

PROSTHETICS

Makeup effects and prosthetics were provided by Neil Gorton at Millennium Effects.

GRIMOIRES

Grimoires were hand made at TRIPTIK. Images and text were sourced, paper was aged and laced into cloth covered books.

The burning witches incantations used for the titles were printed, aged and burned at TRIPTIK.

THE WOODS

TRIPTIK are lucky to be surrounded by incredible Hampshire forests, the perfect locations for drone and pick up shots to perfectly match the main shoot in Cornwall.

THE BAR

Rhettorick Mill bar is full of original charm and was the perfect location for the Hellam Bar scenes, With many of the original bar features left in place for the shoot.

PRACTICAL EFFECTS

A found bird carcass combined with earth worms were the perfect spell ingredients.

Vines and leaf litter collected from local forests were used to create the disturbing end scene.

LIGHTING

JP wanted a film noire atmosphere using high contrast and low key lighting to add an eerie effect. DOP Lily Grimes didn’t disappoint!

Clever use of smoke and lighting created the perfect glow for the car fire at dusk.

THE GRADE

JP has never shied away from pushing the colours as he shows in this grade using teal and red as his foundation to enhance key scenes.


BEHIND THE SCENES

PICK UP SHOTS

JP out filming pick up shots in local Hampshire forests.

Ancient Forests

Finding the perfect pick up shots for The Cull

JP is always happy to go exploring to find the perfect shot. Here he is traipsing through an ancient yew forest surrounded by storm damaged trees..

Drone Shots

JP piloting the drone capturing epic shots of forests from the sky.. See them in the introduction of The Cull.

Changing Seasons

JP out filming in forests to capture the changing seasons


PROP MAKING

Never leaving things to chance, JP knew exactly how he wanted the witches grimoires to look so enlisted his artist wife to help make them. With paper ageing, deckle edging, image transfers and book binding the creepy props were created.

DEER & FERN GRIMOIRE

Dried fern leaves, hessian and ink were used to create the two grimoire covers.

Ageing props for the cabin

Old candle sticks were sourced and aged using black paint and wax.

SPELL BOOK

images were sourced, transferred, aged and laced into the fern covered grimoire suggesting spells and recipes for all things nefarious.

Ageing images

Experimenting with ink, paint, coffee and tea to create the perfect aged grimoire Book of Shadows

BOOK OF SHADOWS

The Enochian Language is used throughout this grimoire interspersed with terrifying images.

Witch Wall Art for The Cabin

Images were sourced, printed, cooked, aged and stained.


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